All reviews by hcrink
Pretty bizarre record that I picked up recently on the strength of the cover. I was prepaired for the fairly standard folky rock with country overtones that this record mostly is - but, was totally unprepaired for the quirky, low-budget funk(?) jam that opens the record. SEE WHAT I MEAN!?!?! File under: HUH…???
This is the kind of record that brings joy to my life and reminds me of why I got into collecting oddball records in the first place. It’s a local bay area lp from the early 80’s of a guy who, just as the name implies, recorded the sounds of cable cars. Side A is […]
The mind that conceived of kids doing a cover of “If I Ever Lose This Heaven” should be cryogenically frozen for posterity.
I suppose this record would not be everyone’s “cup of tea”. I imagine some people would say - “but she can’t play an instrument or sing very well” - and they would technically be correct. All I know is that there are far too many people making music who are supposedly “good” at it for […]
Hadn’t found a cover quite this good/bad in a while. This dude clearly thought he was THEE MACK!
Pretty much a one tracker, but oh what a track! The rest is not bad, but it’s also not great. And you are definitely left wanting more like “Let’s Get Together”.
A favorite cover - sent to me in a package when I traded with Dave’s Records. Neither he nor I ever had the vinyl, but I doubt the music is nearly as interesting as the cover on this one.
Another one of those strange ones that I can’t tell if I love or hate. Bizarre Jesus rock with some incredibly white kinda-sorta-disco-like moves. Disturbing to say the least. I feel that the real story here is in the hair-doos though…
An early “Sitar-sploitation” record on Deram from 1966 which has much more of an MOR pop sound that stuff like Ananda Shankar which would come later. There are two originals on here that are in a Raga sort of mode, but it’s mostly comprised of pop covers of the day. The Sitar is superimposed over […]
Yikes! This has to be one of the most disturbing covers I’ve ever found. Completely uninteresting musically though. This is the back cover, BTW.
Bearded man plays 150 gongs all by himself.
Local NorCal High School jazz lp. Half of this is pretty standard school kid cheese. IE: horrible selection of covers (the Flinstones theme) sloppily executed - but without the reckless abandon that would make it interesting. The second side it better. An original side-long jazz suite with tinges of exotica. Based on the short clip […]
Yet another pretty mediocre Hungarian rock record for your viewing/listening pleasure. I couldn’t help but get excited when I found this cause the cover is so foreign and cool, but it’s mostly sorta jaunty lightweight pop with some flutey sheep-herder moves. There are a couple pretty cool tracks that rock a bit harder though, so […]
First of all, I’d just like to say that I celebrate this dude’s entire catalog. But, this may very well be my favorite. I believe I onced described this to a friend as Brian Eno meets spiritual jazz.
Follow up to his “Clouds” lp. Same deal here - music intended to be played in old folks homes & drug rehab clinics. This one is all echoed out trombones, or at least one whole side is. I like Clouds a bit better, but this one is still very, very cool.
This lp was my introduction to Kupka, and it’s still my favorite of his records. First heard it on a mix Anthony Pearson sent me (god, I hate it when people name drop like that) and it really blew my mind.
For what it’s worth, I really like this record. One of my favorite rural California lp’s which is saying a lot. Stellar lonesome fire-side cosmic cowboy moves. Never fails to make me wanna spark a doobie, attire myself with large, garish turquoise man-jewelry, & hit the road in my boogie-van while jamming a faux-leather […]
Another private press favorite from my fair state of California. And yet another record that Will Louviere’s Show And Tell site put me up on. This is a hard one to classify. It’s definitely raw enough to appeal to garage rock enthusiasts, yet it lacks the naive quality of most records of that genre.
Interesting stab at pop-jazz by longtime Mingus Associate Dannie Richmond. The album consists of about half pop and rock (Dylan’s “Blowin’ In The Wind”, Chuck Berry’s “Sweet Little Sixteen”, etc) covers which actually work into jazz better than one would expect, and half light originals penned by various players and contributors to the date. Gary […]
This cover really gives me the creeps.
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